Out in Saigon
“I only came out two years ago so it’s all kind of new,” says 21-year-old
actor John Yi who is in the ensemble of Miss Saigon. “Not knowing
anything is kind of to my advantage as I’m open to anything.” Yi brings
that openness not only to exploring Toronto’s gay nightlife, “the energy of
the gay community is so different,” but to his work. “There is a scene
where I have to shout in Ma-Anne Dionisio’s face and throw her to the
floor. I found it devastating. ‘Use it,’ she said. ‘These kids were soldiers
forced to kill their families, so devastation is something you can use.’” Yi
is on summer holidays from his studies at Elon University in North
Carolina where he is finishing a BFA as well as “conservatory-style
musical theatre training,” so he is overjoyed at the chance to work with
and learn from “such talented professionals. They’ve been on Broadway forever.” There is another advantage with
Miss Saigon says Yi, “To be around other gay actors of an Asian descent. It’s comforting to know that there are more
of me out there. More brothers. “ — Drew Rowsome
Miss Saigon is at the Four Seasons Centre
for the Performing Arts, 145 Queen St W
until Sun, Aug 1. Info: dancaptickets.com
Cross-gender dream
in High Park
“Ron Kennell plays the Nurse and Caroline Gillis plays the
Friar and Benvolio. Both of these actors are incredibly intuitive
when it comes to poking fun at the constraints of gender,”
says Dora-winning actor Clinton Walker who plays both
Mercutio and Lord Capulet in the gender fucking, multi-role
juggling, play-within-a-play version of Romeo & Juliet at
CanStage’s annual outdoor Dream in High Park. “I’m in the
fortunate position of getting to play both the stern daddy and
the wild circuit party brat. Now, if only I get the two of them to
get busy on stage somehow,” jokes Walker. The titular leads,
played by Jeff Irving and Christine Horne, remain true to their
genders of origin but Walker feels it’s an improvement over
the original Shakespeare convention of casting fey boys to
play female parts. “Truthfully, Shakespeare’s women were too
emotionally complex to be played by twinks. No offense
twinks.” — Matt Thomas
CanStage’s Dream in High Park: Romeo & Juliet plays
Tues-Sun at 8pm at the High Park Amphitheatre until
Sun, Sept 5. Info: canadianstage.com
Hairy balls out
“I usually get cast as a drag character. A slutty maid or an aloof drag
queen,” says Francesco Caruso who is appearing in Toronto Youth
Theatre’s production of Hair. “This character, Berger, is more androgynous
and appeals to both men and women. I don’t usually carry myself with
that much weight but I’m learning to walk with balls-out bravado. And I
think it will carry over into my own life.” Caruso was a self-confessed
“shower singer” who “played in many bands accompanying shows. I
was really jealous of the attention the actors got. Especially when the
show’s music was good and the actors sucked.” Hair’s music intrigued
Caruso, “it’s really beautiful,” but, being 20 years old, it is music from the
distant past. While researching to get “into the aesthetic of the time”
Caruso discovered that, “the writers were actually lovers in the past,”
which gave an extra balls-out inspiration to Caruso’s interpretation.
Because it is a youth theatre, Hair’s notorious nude finale is being
reworked but Caruso, disappointing all chicken-lovers but not true
musical theatre afi cionados, that the youthful 20-member cast will
deliver “hippies, drugs and sex. Lots of colours and lights, a really good
spectacle.” — Drew Rowsome
Hair runs Wed, July 21 to Sat, July 31
at the Lower Ossington Theatre, 100A
Ossington Ave. Info:torontoyouththeatre.org