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WILL
A QUEER BE CANADA’S WORST HANDYMAN?
“I have Venetian blinds in my apartment and I’ve never lowered or
raised them because I actually don’t know how.” This surreal admission
could only come from a sitcom character, or from someone like Keith
Cole. What does he do at times like these? “I phone David Hawe.”
But it’s frustrating for Cole’s friend Hawe to watch him screw up
simple tasks and drop tools as if they were hot. So Hawe found it
impossible not to nominate Cole as a contestant for Canada’s Worst
Handyman, a series currently running on the Discovery Channel (Mondays
at 10pm), in which five couples from across Canada compete against
themselves to be the worst. Or is it not to be the worst?
“You’re competing against yourself,” Cole explained over a lovely
dinner at Hair of the Dog.
“You’re competing to be the best of the worst,” clarified Hawe.
Best, worst, who gives a fuck? What I want to know is what are Keith
Cole’s chances of winning this thing?
“You know how they say gay people have the fashion gene, or the
design gene, or the hair gene? Well, I didn’t get any of those,”
admitted Cole, which is why he qualified for the show. Cole keeps
it real. “I like to dance. I like to use the phone,” is how he sums
it up. But when it comes to using a hammer or screwdriver or anything
like that, he sucks.
Every morning, they’d be driven to the “set,” good old slatedto-
be-demolished Regent Park. Each team was given a vacant apartment
to ruin/renovate. The shoots lasted up to 14 hours a day. “It was
really hot and they had just sprayed for roaches,” remembered Cole.
“There were fridges full of food from eight months ago. Still, we
were on our way to making it nice.”
Part of “making it nice” included laying carpet, installing ceiling
fans and panelling, building a fire pit, designing pathways, roofing,
toilet installation, even painting a mural – about 25 different
tasks in all, not one of which was performed properly. Watching
the show reminded me of the first time I saw Plan 9 From Outer
Space – you’re basically laughing at ineptitude, and many of
the scenes, in which things fall and smash or are jammed in because
they weren’t cut properly, play like silent film gags. The whole
time, cameras are hovering, capturing every embarrassing moment.
“We forgot we were wired for sound,” said Cole, “and one day we
were making fun of the designer chick who we hated and we were going
on and on about her hair and they were listening in the control
room.”
“When they told us that they had heard everything, I got so mad
I walked off the set,” said Hawe, now media-savvy after appearing
in this, his first TV show. Nevertheless, there was a lot of camaraderie,
and both Hawe and Cole bonded with their cast mates. They flirted
with the hot straight guys, mocked the guy with the harridan wife
(“We started to refer to them as Paul and Karla,” said Cole) and
bonded with the aboriginal couple.
“We were the only gays the Eskimos ever met,” said Hawe of Merle,
a 34-year-old trucker from Sucker Creek, Alberta whose wife nominated
him because she is tired of him fixing everything with duct tape.
Cole took an instant liking to Merle, who reminded him of his father.
“He was such an easygoing, wonderful guy, just like my dad. I was
adopted and my father is Indian. We just say ‘Indian’ in my family,
not First Nations or any of that stuff,” said Cole, who not long
ago caused a stir by performing an Indian rain dance at a fundraiser.
Cole grew up “gay in Thunder Bay,” but left at 18 to come to Toronto.
His first night here, he was shaking his booty at a Tina Turner
concert. He went to York University to study dance and film and
has been dancing and filming ever since. He has also staked out
quite a reputation as a performer. He played Polkaroo once, he’s
been in an Alanis Morissette video, he played a penguin in Billy
Madison and did sketch comedy bits on PrideVision’s Locker
Room, in which he shone as one of the World’s Strongest Effeminate
Man contestants. He is an accomplished experimental short filmmaker
whose work has been shown at the Pleasure Dome, and he’s tap danced
his way through well over 150 hosting gigs in the past two years.
When I asked him to sum up his diverse career, he said diplomatically
that it is “not as good as Fiona Reid’s or Sheila McCarthy’s.”
As for delightful David Hawe, he has been a professional photographer
for more than 15 years. We first met when he was hired to take photographs
of comedian Scott Thompson for the cover of The Advocate,
back in 1989. Since then, his client list has expanded to include
Winners, Harry Rosen, Buddies in Bad Times Theatre, Xtra, Playboy,
and the Brass Rail, where he took portraits of all the strippers.
“I love strippers. They’re so real. They were all lesbians.” One
of Hawe’s shining moments was when a Globe and Mail columnist
called him a “professional homosexual” in print. It must come from
his irrepressible candour. “I never liked Keith when I first met
him,” Hawe admitted bluntly. “I thought he was annoying and loud.
Now we’re really close, best friends.” As such, they have great
on-screen chemistry, but are they the next Lucy and Ricky? “More
like Shields and Yarnell,” said Hawe.
As a condition of appearing on the show, the contestants had to
stay together, sequestered for the entire two-week shoot. “We stayed
at the Grand [Hotel] on Jarvis,” said Hawe, “in an $800 suite with
separate bedrooms and maid service and everything. We had all the
parties in our room.”
Of course they did. Partying is a skill at which Cole and Hawe excel.
The first time I met Cole, he was dancing on a coffee table and
singing the theme from Maude at the top of his lungs. It
was in a rambling, dumpy apartment he shared with about a hundred
people at Queen and Parliament, and in the early ’90s they threw
the best parties around. Cole would do things like encourage everyone
to wear record album covers on their heads. “One night we were all
dancing to ‘Love Shack,’ and there were so many people bouncing
up and down that the floor dropped two feet,” Cole reminded me.
And still the party continued.
Much like Pee Wee, George Michael and Hugh Grant, Cole has a legacy
of scandal that will win him new admirers for years to come. At
the Sushi benefit for Fife House in December 2004, his hosting duties
took a turn. “Yes, I was very drunk and bored out of my mind and
I remember walking to stage right and I peed, just let it go.” The
audience, made up largely of social workers and the people who donate
money to them, fled. Thank God it was the end of a very long evening.
Cole didn’t realize what a big deal it was until the next day, when
there were dozens of messages on his answering machine. There were
threats of a lawsuit, and he was finally asked to issue an apology
to the community. “Well, my community is the world, so I put my
apology on Reuters. My friend Wayne in Perth read about it.” The
incident placed him in the grand tradition of rock stars who puke
or take dumps onstage, a lineage that runs from the surrealists
to punk rock and avant-garde performance art. Never has a tinkle
left such a ripple in this town.
And of course, the controversy was revived in January, when Cole
put in a token appearance at the Sashimi benefit at Buddies. This
time, Cole appeared as his character Pepper Highway, doing a little
tap dance to Eminem’s “Lose Yourself” while holding two feathers
and wearing a handmade T-shirt reading “Drinking Ain’t Native.”
“It’s like saying not all black men carry guns, or not all gay men
have AIDS,” he explained. Though hardly shocking, the performance
didn’t stop someone from demanding an apology, although this time
he was prepared to dismiss it as crabby cuntiness. He doesn’t seem
to realize that being controversial is its own reward. “And yet
I’m normal,” Cole professed while daintily dipping a chicken finger
into some plum sauce.
But back to the point of it all: just how bad a handyman is Keith
Cole? Is he the best of the worst, or the worst of the worst? Is
he still fixing holes in the walls by filling them with toothpaste?
Will his next scandal involve home renovations? And the next time
he needs help, will he phone David Hawe, or has he finally learned
how to do things by himself? You’ll just have to tune into Canada’s
Worst Handyman to find out.
Paul Bellini is fab’s Troll
columnist.
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