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• Good heavens! Shirtless men and
homoerotic tensions swirl about
like a tropical breeze in the
musical South Pacific, playing until
Sunday, Sept 5 at the Four Seasons
Centre. Its musical numbers may not
be as catchy as other shows’, but
given the eye candy, who cares?
From the subtle hand job given to a
knife to the joyous scenes of men
dancing crotch to crotch, this show
entertains. A hefty budget for sets and
props allows the fantastic cast to delve
into the environment and their roles.
The storyline is the usual boy-meets-girl
narrative, but age, race, nationalism and
war are thrown into the mix. “It’s a
little disheartening to see how much
this war musical is still relevant
today,” says handsome Anderson
Davis (Lt Joseph Cable) at the
opening-night party. Rusty
Ross (the Professor) adds,
“These guys were literally
ripped out of their homes
and thrown in with a bunch
of dudes. There is physical
contact, but it’s more about
camaraderie than the
homoerotic.” You say potato, I
say pass the lube.
• Families pushing strollers
and alcoholics drinking booze
from paper bags sit and watch as
half-naked men in leather outfits
socialize and dance under the
sun. The Leatherball in the
Garden XX, in Allan Gardens,
attracts a diverse group, from
long-time leather lovers like
Peter Rex to alternative
leather keener Aeryn
Pfaff, who is strutting
about with a crocodile
attaché case. A metal
fence divides, but it really
only acts as a cage, putting
the men inside on display
like animals. Perhaps if there
were some sort of camouflage
netting over the fencing to
give both sides a bit of
privacy, this tea dance could
really take off. Who wants
to grope a guy in a leather
kilt and fiddle his Prince
Albert while a mother of
two is taking photos?
• “Sweaty, hard bubble butts in spandex are
my fetish,” DJ César says while entertaining on
the Fetish Fair’s north stage. Participants
dressed in animal costumes and cheerleader
outfits mix with those in rubber body suits and
flogger utility belts. Bars and restaurants move
tables onto the streets, creating temporary
patios. When the rain starts, it doesn’t stop
Devine Darlin from completing her number,
makeup intact, on the patio of the nowdefunct
Elevate nightclub. The sun forces
its way back and the crowds return.
Tony Buff leads a bondage demo as
an appetizer before serving up
the main course: his massive
meat in crotch-hugging jersey
shorts during the Priape
fashion show. With the ROTC
Colour and Rifle Guard,
Triangle Squares square
dancers, and twinks dressed
in D&G leather pants, one
wonders if the fetish culture
showcased will actually survive.
Or perhaps it will end up becoming
a second Pride weekend, like in
Montreal.
• The Ten Commandments
frame the main stage. But with rules
like “Thou Shall Not Steal Weaves,”
I expect to see Moses lift up his robe
to reveal a garter. Moses is organizer
Mitchel Raphael, who is sans
costume. He can be forgiven,
considering all the work involved
in transforming Goodhandy’s
into Sodom’s Biblical One-Year
Anniversary. Baskin Robbins
ice cream is doled out to guests
dressed as unholy saints, lustful
angels, horny Roman soldiers
and submissive slave boys. At
1am, Donnarama is nowhere
to be seen. In her place Tyler
Gledhill, Mother Mahogany
Browne and Keith Cole, dressed
as an “acidic” Jew, perform.
Raphael cites “creative differences” for
Donnarama’s absence. “I was being
used,” she counters later. “[Mitchel]
was pressuring me to create decor
but didn’t want to pay. Why would
anyone sit for hours constructing
massive sets and not be
compensated? I need to make a
living, too.” Hallelujah, sister!
| Clarification: Sodom promoter Mitchel Raphael notes that Sodom has, in the past, paid Donnarama a performance fee, setup/prop construction fee, cab fare, studio time for her to create her drag music mixes and most new material costs she requires for her Sodom shows. fab has confirmed similar arrangements with past Sodom performers Mahogany Brown and Cassandra Moore. Donnarama told fab she felt Sodom wasn't offering enough financial compensation for the amount of work she felt she was putting into the shows and that she just didn't want to continue to put that level of work into her shows at Sodom anymore. |
rolyn
chambers
deepdish@fabmagazine.com
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